From Poetics and Biographies:

Psychoanalytic Correspondences

Authors

  • Marta Labraga de Mirza

Keywords:

poetry, word, unconscious

Abstract

This paper explores the relationship between the poetry and poet's biography and the effects of the words in the experience of psychoanalysis.The writer in his poems as the patient in contact with their intimacy face the risk of being unable to confront their narcisism that can be an obstacle to their work due to the distance between the subjectivity and the way to express it. Every single form of art reveals their poetry made out of mourning and ‘eros’. We can appreciate this tension in Julio Herrera y Reissig and Roberto de las carreras. The interrogation about love and poetry is an unendless question of what the poet and the subjet are built of.

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Author Biography

  • Marta Labraga de Mirza

    Psicoanalista. Miembro titular de la Asociación Psicoanalítica del Uruguay

References

ALLOUCH, J. El amor Lacan. Buenos Aires, El cuenco de plata, 2011.

BONNES, C. Il «Dolce stil novo». Módena,1939. Versión española de Roberto de Espada, Montevideo, FCU, 1971.

ECHAVARREN, R. Una infinita colisión compleja. Poemas de Julio Herrera y Reissig. Montevideo, La flauta mágica, 2010.

MAZZUCCHELLI, A. La mejor de las fieras humanas. Montevideo, Taurus, 2009.

SOLER, C. Lacan. L’Inconscient réinventé. Paris, PUF, 2009

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Published

2011-01-01

Issue

Section

Panel: Eroticism, ambiguities and symmetries

How to Cite

From Poetics and Biographies:: Psychoanalytic Correspondences. (2011). Revista Uruguaya De Psicoanálisis, 113, 133-140. http://publicaciones.apuruguay.org/index.php/rup/article/view/682